Back to the Drawing Board…..
So I am on the tail-end of going through my first session of Beta Readers. I have gotten a ton of great feedback and I have a lot of work ahead of me. Overall, I have positive feedback on my world-building and characters. My biggest problem is my prose and tightening the story.
What does that mean?
Well, I have no problem writing in first person. I do it all the time on my blogs. It is the voice I am most comfortable with in regaling my own story and, at times, sprinkling a bit of my own humor. However, for fantasy, tradition dictates that my novel should be written in third person limited omniscient (literally a character point of view – POV – that is not limited to the characters thoughts).
What does this have to do with my prose? Well, unfortunately, I tend to repeat a lot (a lot) of the same words. One of my beta readers took the time to highlight all the words I repeated. At least I was consistent with my repetition. But it was embarrassing, nonetheless. I need more variety in that writing. But not only did this Beta reader tell me what I needed to fix; she also gave me the tools to help!
This Beta reader’s name is Amy Butcher. I say this because she is in the process of wanting to start her own copyediting service. I found her through Goodreads and I must say that she is a gem. I will definitely continue to work with her as I take on my novel and there will be more testimonials and praise for her as I go. I just wanted to put her name out there because she is good at what she does and I definitely recommend her for anyone looking for a copy editor.
Anyway, back to my tools. Amy has recommended to me a number of books to help with my prose and working on my, so far, unstructured novel.
Here’s a brief list and what makes them useful:
- How to Write a Damn Good Novel by James N. Frey
- How to Write a Damn Good Novel II by James N. Frey (both help with developing a character biography and pinning down the villain)
- How to Write a Damn Good Thriller by James N. Frey (though I may not be writing a thriller, it can help with finding a good method in plotting a book)
I know that’s a lot of Frey novels, but he’s been recommended for those who write genre fiction but haven’t taken a lot of classes (like myself).
- For prose: Vex, Hex, Smash and Smoosh by Constance Hale.
- After you have rewritten a draft: Self-Editing for Fiction Writers by Renni Brown and Dave King.
- Story by Robert McKee. This guy goes over different types of plots (mostly from a screenwriting prospective – but doesn’t mean it’s not useful). He has been recommended also for help in writing good dialogues and scenes
- Anatomy of a Story by John Truby. Also recommended to plotting and mapping out a clear structure to your story.
Phew! That’s quite a list! But you know what? If you want to write the best you can, you need to acknowledge that you should get all the tools you can possibly get. Simply reading and writing for over twenty years (I am 28, do the math) does not make one automatically a good writer. Maybe some have that gift but for the rest of us it’s just only a good start.
Off to work!